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    <title>t e l e m e t r y</title>
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      <title>t e l e m e t r y</title>
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 <title><![CDATA[we are our patterns]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=195</link>
<description><![CDATA[<br/>We are our patterns. I’ve been thinking about how many ways this is true. Certainly our habits, the little repeated actions we do or don’t do every day, determine many outcomes: whether we lose 10 pounds, learn a language, get cirrhosis of the liver. You’re not a gardener unless you garden, nor a runner unless you run. Habits are intimately connected to identity. <br />
<br />
I think living things, especially conscious things, are processes—we are coalescent waves passing through time. Conscious thought or experience is collapsing that wave function at a specific moment. I’m not the same person, at a cellular level or in a conscious sense, that I was a year ago… or five minutes ago. Yet I am the same person, in the sense that there are unique patterns (of cells, of thoughts, of behaviors) that make me me. In that sense we are patterns, too. <br />
<br />
As waves, we leave digital ripples everywhere. We travel, shop, carry phones, read online, skype, use mobile apps, post on blogs, drive rental cars... our presence, location, and the context of our activities cause ripples in the information space. The ripples we make bounce off each other and interact with other ripples. <br />
<br />
In the past, our digital ripples occurred in a vast ocean of unintelligible intersecting wavelets. But lately it’s become clear that even in chaotic storms of data, our unique patterns, our identities, can often be teased out. Our patterns shine through even if we try to hide. <br />
<br />
On one hand, it’s disconcerting that it’s harder to be anonymous than you might think. Thankfully many people are working on how to ensure digital anonymity. On the other hand, maybe our unique patterns can’t be suppressed… just like we can’t become invisible or stop our hearts from beating. Our patterns cease only when we cease. <br />
<br />
Don’t get me wrong: I don’t think that we are ONLY patterns. You can’t capture my pattern, mimic it with a computer, and duplicate my consciousness—we’re particles, too. But our wave nature is sure interesting.<br />
<br />
More info:<br />
<br />
In the last few years there have been some eye-opening examples of companies releasing anonymized datasets, only to find out some people could be re-identified by cross-referencing with other datasets: <br />
<a href="http://query.nytimes.com/gst/fullpage.html?res=9E0CE3DD1F3FF93AA3575BC0A9609C8B63">AOL  </a> <br />
<a href="http://www.wired.com/politics/security/commentary/securitymatters/2007/12/securitymatters_1213">Netflix</a> <br />
<a href="http://arstechnica.com/tech-policy/news/2009/09/your-secrets-live-online-in-databases-of-ruin.ars">health records</a><br />
<a href="http://arep.med.harvard.edu/PGP/Anon.htm">genomics</a><br />
<br />
<a href="http://privacy.cs.cmu.edu/people/sweeney/index.html">Latanya Sweeney</a> found in 2000 that 87% of all Americans could be identified using only their zip code, sex, and birth date. <br />
 <br />
 <a href="http://33bits.org/">Arvind Narayanan</a> – privacy and anonymity researcher]]></description>
 <category>janet's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=195</comments>
 <pubDate>Wed, 27 Jan 2010 18:47:38 -0800</pubDate>
</item><item>
 <title><![CDATA[security theater]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=192</link>
<description><![CDATA[<br/>Ed and I had the pleasure of flying just after a young Nigerian ignited hs underwear on a flight from Amsterdam to Detroit on Christmas Day.  Fortunately since we were flying domestically, we weren't impacted by the TSA's clumsy response (one carry on, no moving or anything in your lap the last hour of the flight, no wi-fi, etc.). <br />
<br />
We had braced ourselves for a repeat of the day we flew to Hawaii in 2006, the morning authorities in London apprehended a group planning to use liquid explosives. That day we spent 8 hours in the security lines, 15 hours at the airport, and arrived exhausted and liquid-less, but no safer than any other day. <br />
<br />
Bruce Schneier summed up everything I feel about air security and what he calls security theatre in his excellent essay, "<a href="http://www.cnn.com/2009/OPINION/12/29/schneier.air.travel.security.theater/index.html">Is aviation security mostly for show?</a>" There are so many, many ways to blow things up, so many things to blow up... the meager and misguded tactics we employ to provide "security" absolutely does not prevent all bad things from happening.<br />
<br />
Schneier lays out the situation perfectly, but here are a few choice bits:<br />
<br />
<i>Our current response to terrorism is a form of "magical thinking." It relies on the idea that we can somehow make ourselves safer by protecting against what the terrorists happened to do last time.<br />
<br />
[...]<br />
<br />
...It's not security theater we need, it's direct appeals to our feelings. The best way to help people feel secure is by acting secure around them. Instead of reacting to terrorism with fear, we -- and our leaders -- need to react with indomitability, the kind of strength shown by President Franklin D. Roosevelt and Prime Minister Winston Churchill during World War II.<br />
<br />
By not overreacting, by not responding to movie-plot threats, and by not becoming defensive, we demonstrate the resilience of our society, in our laws, our culture, our freedoms. There is a difference between indomitability and arrogant "bring 'em on" rhetoric. There's a difference between accepting the inherent risk that comes with a free and open society, and hyping the threats.<br />
<br />
We should treat terrorists like common criminals and give them all the benefits of true and open justice -- not merely because it demonstrates our indomitability, but because it makes us all safer.<br />
<br />
Once a society starts circumventing its own laws, the risks to its future stability are much greater than terrorism.</i><br />
<br />
I highly recommend reading the whole essay here: <a href="http://www.cnn.com/2009/OPINION/12/29/schneier.air.travel.security.theater/index.html">http://www.cnn.com/2009/OPINION/12/29/schneier.air.travel.security.theater/index.html</a>.<br />
<br />
UPDATE: M. mentioned some tag lines for the TSA floating around twitter. The best: "Protecting you from yesterday, tomorrow." Brilliant!]]></description>
 <category>janet's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=192</comments>
 <pubDate>Wed, 30 Dec 2009 09:47:49 -0800</pubDate>
</item><item>
 <title><![CDATA[wtf? - new mobile app to deliver pure contextual search results]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=189</link>
<description><![CDATA[<br/><br />
<br />
In my spare time, I’ve been thinking about a new mobile app called <b>WTF</b>. This is a search app reduced to pure context. <br />
<br />
WTF has just one function, simply select <b>WTF </b>and you will get the most appropriate response based on who you are, where you are, what you're doing. Your phone already knows who you are, where you are, where your friends are, what you've been searching for, who you've been talking to, etc., so we ought to be able to leverage this contextual data to provide a rich search experience. <br />
<br />
Traffic at a dead standstill? Select WTF and you will be told "Blue Angels are in town." <br />
<br />
Waiting for a friend at the restaurant? Just press WTF to learn, "Steve's been in the bathroom on the 3rd floor for the past 20 minutes. Maybe you should ask if he's ok?" <br />
<br />
Girlfriend not texting you back? Press WTF to learn: "She's with Bill--maybe it's time to move on."<br />
<br />
The Thing is with smart, GPS enabled phones, there's no reason an app couldn't infer all of this information today. So why not WTF?<br />
<br />
WTF was part of a lecture I gave November 19, 2009. I'll add a link to the lecture in the next day or so.<br />
]]></description>
 <category>edward's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=189</comments>
 <pubDate>Fri, 20 Nov 2009 10:25:33 -0800</pubDate>
</item><item>
 <title><![CDATA[pseudo-science and vaccinations]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=186</link>
<description><![CDATA[<br/>Who would you trust with the health of your child? <p align="center" style="width: 100%"><img alt="Jenny McCarthy" height="234" src="http://www.slashphone.com/media/data/753/jenny-mcCarthy-4062.jpg" style="float: left" width="175" /> </p><p style="width: 100%">&nbsp;</p><p style="width: 100%">&nbsp;</p><p style="width: 100%">&nbsp;</p><p style="width: 100%"><br />
&nbsp;</p><br><br><br><br />
<p style="width: 100%">&nbsp;</p><br />
<p style="width: 100%"><strong>A) Jenny McCarthy</strong> - <em>Playboy Centerfold and Comedian who has a child with autism.</em></p><p style="width: 100%"><em><strong>Or...</strong></em></p><p align="center" style="width: 100%"><img alt="Barry Marshall" height="175" src="http://www.virginia.edu/insideuva/2005/17/images/marshall.jpg" style="float: left" width="136" /> </p><p style="width: 100%">&nbsp;</p><p style="width: 100%">&nbsp;</p><p style="width: 100%"><br />
&nbsp;</p><br />
<p style="width: 100%">&nbsp;</p><br />
<p style="width: 100%">&nbsp;</p><p style="width: 100%"><strong>B) Barry Marshall </strong>- <em>Winner of the Nobel Prize and vaccine researcher. </em></p><p style="width: 100%; clear: both">If you chose &quot;A&quot; you&#39;re among a growing number of well educated and presumably otherwise sane adults who eschew vaccinations.</p><p>A recent<em> Wired</em> article “<a href="http://www.wired.com/magazine/2009/10/ff_waronscience/">An Epidemic of Fear: How Panicked Parents Skipping Shots Endangers Us All</a>” written by Amy Wallace summarizes the vaccination debate. She reiterates the facts, which are sufficient to my mind to make disagreement sound like the deranged spoutings of conspiracy theorists. Wallace documents how medical researchers who unambiguously support vaccinations are being demonized simply for stating their professional opinions. The pseudo-science of the Web is drowning out the conclusions of legitimate research.</p><p>I spent an hour or so re-reading some of the research (key word<em> research,</em>&nbsp; I don&#39;t mean the ramblings of amateur bloggers such as myself) supporting the safety of vaccines in an effort to summarize it here. I came away absolutely flabbergasted that any reasonable person would choose not to get vaccinated--or to not vaccinate their children--based on the evidence. I must conclude that if you, like Jenny McCarthy, choose to believe the exaggerated claims of the dangers of vaccinations, then there is <em>no</em> amount of scientific evidence that could ever persuade you otherwise. So, I gave up. </p><p>If you insist that vaccinations are dangerous and that if not for the vested interests of pharmaceutical conglomerates, the true dangers of vaccines would be revealed, then you must believe that all of the following organizations are lying and engaged in a conspiracy on a scale equal to that of the Moon Landing hoax: all major pharmaceutical companies, the <a href="http://www.cdc.gov/vaccines/vac-gen/6mishome.htm">CDC</a>, the <a href="http://www3.niaid.nih.gov/topics/vaccines/understanding/">NIH</a>, the <a href="http://www.who.int/vaccine_safety/en/">WHO</a>, the <a href="http://ecdc.europa.eu/en/healthtopics/Pages/Influenza_Vaccination.aspx">ECDC</a>, etc. If this seems plausible to you, well, feel free not to vaccinate yourself or your children. The gene pool will take care of itself. I don't mean this, of course, I'm concerned that a lot of unnecessary suffering will result from the irrational fear of vaccines--that's why I encourage people to read the <a href="http://www.wired.com/magazine/2009/10/ff_waronscience/"><i>Wired </i>article</a></p><p>Something I find interesting about this debate is that the people who are opposed to vaccinations are both Democrat and Republican, affluent, and well educated:</p><p class="style1">&quot;This isn’t a religious dispute, like the debate over creationism and intelligent design. It’s a challenge to traditional science that crosses party, class, and religious lines. It is partly a reaction to Big Pharma’s blunders and PR missteps, from Vioxx to illegal marketing ploys, which have encouraged a distrust of experts. It is also, ironically, a product of the era of instant communication and easy access to information. The doubters and deniers are empowered by the Internet (online, nobody knows you’re not a doctor) and helped by the mainstream media, which has an interest in pumping up bad science to create a “debate” where there should be none.&quot;</p><p>It comes as no surprise that ignorant and ill-informed people would ignore scientific findings in deference to superstition and magical thinking. Vaccines are afterall counterintuitive. I am perpetually perplexed, however, by the willingness of well educated, intelligent, and sound individuals to choose pseudo-science over science. I believe it&#39;s because some people, no matter how smart, are unwilling to accept that life is inherently unfair and that bad things (autism, say) happen to good people (innocent children, e.g.) for no other reason than the luck of the draw. There&#39;s no one and nothing to blame. Carl Sagan (as paraphrased in Wallace&#39;s article) says it well: &quot;Science loses ground to pseudo-science because the latter seems to offer more comfort.&quot;</p><p>The comments are as illuminating as Wallace&#39;s original article. The tone of her antagonists is often bitter, angry, and oddly <a href="http://scienceblogs.com/terrasig/2009/10/when_critics_disagree_with_me.php">misogynistic</a>. Most comments, however, (4:1) side with Wallace.&nbsp; One commenter provides a perspective I hadn&#39;t consciously considered before, that of the autistic: &quot;Our oldest son, now 10, was diagnosed at age 3. He showed some signs of autism from a very young age… Autism will never kill my child. But many diseases targeted by immunizations sure could. The autism community burns time, resources, and, most importantly, credibility, chasing toxic ghosts. These resources instead could and should be spent on research – not just for cures, but for interventions to help kids and adults with autism live and thrive. But helping a child with autism learn to do an everyday task such as brushing teeth, or helping an adult on the spectrum secure a job bagging groceries won’t land you a spot on Oprah’s couch. Hence the needs of our community remain unmet in many meaningful ways despite an outpouring of resources.&quot;</p></body></html>]]></description>
 <category>edward's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=186</comments>
 <pubDate>Sun, 1 Nov 2009 23:01:05 -0800</pubDate>
</item><item>
 <title><![CDATA[subaqueous]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=184</link>
<description><![CDATA[<br/>I'm getting really excited about going to <a href="http://www.flickr.com/search/?q=razanj&amp;amp;ss=2&amp;amp;z=e">Ražanj Croatia</a> next summer. My friend <a href="http://kimcollmer.com/">Kim Collmer</a> has been going there for years to participate in an artist residency called <a href="http://www.sub-art.com/?page_id=2">sub-art</a>. Ražanj is a rustic village on the coast of the Aegean sea in Dalmatia, across from Italy. Artists gather there for a few weeks each summer to create under water art works, or art that is simply inspired by the sea or being in that place. <br />
<br />
I have an animation I've been thinking about for a very long time that I hope work on there. I can't wait. Following are some things I've been looking at for inspiration.<br />
<br />
<object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=5590120&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=5590120&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/5590120">Water Level 9,40m ...</a> from <a href="http://vimeo.com/alexbe">Alex.Be.</a> on <a href="http://vimeo.com">Vimeo</a>.<br />
<br/>I love the sound of the bubbles as he goes under. And the way the flowers on the trees are so perfectly preserved. And floating along the underwater paths. What a fleeting moment.<br />
</p><br />
<object width="400" height="323"><param name="movie" value="http://www.youtube.com/v/-Pg-V1PCtw8&hl=en&fs=1&rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/-Pg-V1PCtw8&hl=en&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="400" height="323"></embed></object><br />
<br/>The Fold, by Kim Collmer. This was created with footage from sub-art residency in Ražanj. <br />
<br/><br/><br />
<object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=3926818&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=3926818&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/3926818">underwater</a> from <a href="http://vimeo.com/user698083">celina jerzmanowska</a> on <a href="http://vimeo.com">Vimeo</a>.</p><br />
<br />
<object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=5712168&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=5712168&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/5712168">Coral Gardening</a> from <a href="http://vimeo.com/user1760602">Jonathan Clay</a> on <a href="http://vimeo.com">Vimeo</a>.</p>]]></description>
 <category>janet's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=184</comments>
 <pubDate>Sun, 18 Oct 2009 09:40:48 -0700</pubDate>
</item><item>
 <title><![CDATA[candid object portraits]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=181</link>
<description><![CDATA[<br/>The last weekend of summer, we went camping at Second Beach near La Push, WA. It's a magical place, and we got very lucky with the weather. Typically I return home from trips to the coast or the <a href="http://www.flickr.com/photos/janetgalore/sets/72157594560098562/">Straits of Juan de Fuca</a> with pockets full of rocks, shells, or sand dollars that end up in boxes on shelves I never look at. <br />
<br />
Lately instead of bringing these finds home, I'm trying to capture them in situ, as they are, with a photo. It's not just about documenting the object, but trying to capture the context of the object in its environment -- that's what I really want to remember anyway. It's less about the thing itself than about the moment the tableau made an impression on me, and what that impression was. I think of it as a candid portrait, trying to capture the personality of the thing.<br />
<br />
Here are a few attempts... taken with a simple consumer point and shoot, albeit a good one (Fuji F200 EXR).<br />
<br />
alien life forms<br />
<br />
<br />
portrait of a baby kelp<br />
<br />
<br />
mysterious island #1<br />
<br />
<br />
mysterious island #2<br />
<br />
<br />
More photos from the Second Beach trip--not all object portraits--on flickr <a href="http://www.flickr.com/photos/janetgalore/sets/72157622460584922/">here</a>.<br />
<br />
For now 2D photos are ok. I'm trying some video, but am <a href="http://vimeo.com/6783821">not happy with the results yet</a>, in terms of being true to the feeling of the scene. I need a mic and a tripod. I look forward to the day when I can shoot (and easily view) high res 3D video footage.]]></description>
 <category>janet's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=181</comments>
 <pubDate>Sun, 27 Sep 2009 13:59:16 -0700</pubDate>
</item><item>
 <title><![CDATA[virtual earth reveals one of the navy's most secret secrets]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=177</link>
<description><![CDATA[<br/>Thanks to Bing, one of the <a href="http://www.eetimes.com/201804018">US Navy's most closely guarded secrets has been revealed</a>. I learned of this major security SNAFU from "Focus on Military," a little electronic newsletter I subscribe to which is published by <a href="http://www.techonline.com/">techonline</a>. In short, Microsoft's mapping software clearly displays the propeller of an Ohio class submarine in dry dock in <a href="http://www.globalsecurity.org/wmd/facility/bangor.htm">Bangor, WA</a>. (Incidentally, Bangor Naval Submarine Base stores 1700 Trident missiles--each with multiple warheads--making it the 3rd largest collection of nuclear weapons in the US.)<br />
<br />
Why should a picture of a propeller be such a secret? Well, the shape of the blades and placement angle are what make the submarine so quiet and therefore difficult to detect. The Navy has been at great pains to <a href="http://www.fas.org/man/dod-101/sys/ship/eng/nnppcra.htm#ZZ1">classify submarine propulsion systems</a> since the <a href="http://www.usna.edu/NAOE/new/turtle.pdf">Navy's first submarine</a>. On the bright side, perhaps wind power generators will benefit from the design.<br />
<br />
The exposure of the Ohio's propeller reminded me of my experience as Chief Game Designer for Zombie Studios'  <a href="http://www.galorebot.com/games/spearhead/index.html">Spearhead</a>, an <a href="http://www.army-technology.com/projects/abrams/">M1A2 Main Battle Tank</a> simulator. In a continuing drive towards realism, we took an audio engineer out to the Yakima Training Center Firing range to record all the sounds associated with a tank. We recorded everything from radio chatter, to the 7.62 loader's LMG, to the commander's .50 cal, to the sound of the engine revving up (a jet engine) to the firing of the main gun (really LOUD--can't imagine what it's like on the receiving end). The Army was quite generous in allowing us to photograph everything--well, everything but one thing. We were not allowed to photograph the main hatch at an angle that would allow someone to determine the thickness of the armor--<i>this </i>was highly classified.]]></description>
 <category>edward's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=177</comments>
 <pubDate>Wed, 23 Sep 2009 10:40:56 -0700</pubDate>
</item><item>
 <title><![CDATA[come on and zooma, zooma, zoom!]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=174</link>
<description><![CDATA[<br/>When I was <a href="http://www.facebook.com/search/?init=srp&amp;sfxp=&amp;o=69&amp;q=number+5#/group.php?gid=6134041809&amp;ref=search&amp;sid=558481958.3509711179..1">5</a> my older brother, David, was on <a href="http://en.wikipedia.org/wiki/ZOOM"><i>Zoom</i></a>. I&#39;m not sure how popular <i>Zoom</i> was to the rest of the world, but in our family, no show was more important (except maybe <i>Star Trek</i>). <br />
<br />
To this day, the elevating electronic noise/music of the WGBH-TV title sequence still excites me because it signaled the beginning of <i>Zoom</i>. (I like the WGBH sound so much I made it my cell phone ringer. WGBH also produced <a href="http://en.wikipedia.org/wiki/Cosmos:_A_Personal_Voyage"><i>Cosmos</i></a>, another favorite growing up.)<object height="344" width="425" style="margin-top:-15px"><br />
	<param name="movie" value="http://www.youtube.com/v/4owF8M1QlEk&hl=en&fs=1&"></param><br />
	<param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><br />
	<embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/4owF8M1QlEk&hl=en&fs=1&" type="application/x-shockwave-flash" width="425"><br />
	</embed></object><br>My brother&#39;s role on <i>Zoom</i> was certainly a defining period for him, but it was for me as well. Sitting around the TV with my friends and little brother waiting for my own older brother to appear was rather magical. When I see how children today stare raptly at the TV, watching strangers or anonymous cartoon characters dance across the screen, it&#39;s not hard to understand the impact my brother&#39;s appearance on Zoom held for me. I was quite young, but not too young to be proud of him as he performed magic tricks under the pseudnym &quot;Red.&quot; <br />
<br />In 1974, My Dad accepted a job in Seattle the same year my brother was on <i>Zoom</i>. While we settled into the forest that was Bothell in the early 70s, David attended <a href="http://www.fessenden.org/Default.asp?bhcp=1">Fessenden</a>, a private boarding school outside of Boston. I was so young at the time, my earliest memories of my brother are of him being on the television set. The combination of being separated from him by such a great distance--3500 miles was literally unimaginable for this 5 year old, the fact that for 30 minutes each week his image was transported to my living room in living sound and color, and the fact that he was my <i>big</i> brother (he&#39;s 8 years older) made him something of a mythic hero in my eyes. <br />
<br />Since the days I looked up to him as the TV star who I loved to brag about, David and I have grown apart in some ways--politics for one thing. Ironically, given my brother&#39;s views towards public funding of arts and education programing, I doubt he&#39;d support TV programming such as <i>Zoom</i> today. ;-) Yet, as far as this little boy was concerned, David &quot;Red&quot; O&#39;Brien was bigger than the <a href="http://en.wikipedia.org/wiki/Fonzie">Fonz</a> from <i>Happy Days</i>, who appeared on TV for the first time the same year my brother did.]]></description>
 <category>edward's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=174</comments>
 <pubDate>Mon, 7 Sep 2009 23:28:18 -0700</pubDate>
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 <title><![CDATA[whither posts?]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=171</link>
<description><![CDATA[<br/>This space has been dormant for many months... my online communication habits changed steadily as more and more of my friends joined facebook and it became a rewarding place to share quick links and quips. To some extent I find it a good place to genuinely connect with people who are far away. But it's also a lazy way to communicate publicly... it takes 5 mins to check out boingboing, neatorama, pink tentacle, wfmu, we-make-money-not-art, or other fb posts to find something others have pre-filtered to be delightful, shocking, weird, puzzling, nostalgic, whatever your mood. And it's all as if we are in this big room each making individual random proclamations, flitting from person to person, diving in with a comment, not waiting to hear a response. Like a giant flock of sparrows in a bush cheep-cheep-cheeping away.  I’m one of them, for sure...<br />
<br />
But I think I’d like to keep up with my own thoughts in a separate place, here, where I set the context. Take a little more time to say something thoughtful. A friend of mine is concerned that current digital culture is devolving us into expressions of disconnected fragments of ephemera and trivial mash-ups—“a culture of reaction without action.”  Can’t say I disagree.  I’ll try to be more generative, or at least wrap the things I find interesting with some critical thought. I’ll keep the mere “wow, look at this!” items on fb.<br />
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]]></description>
 <category>janet's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=171</comments>
 <pubDate>Mon, 31 Aug 2009 12:39:00 -0700</pubDate>
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 <title><![CDATA[high anxiety]]></title>
 <link>http://galorebot.com/blog/index.php?itemid=170</link>
<description><![CDATA[There will be an opening for my new solo show of light boxes at Cafe Racer...<br />
<br />
Opening: Thursday November 20, 2008, 7-9 pm <br />
<br />
Café Racer: 5828 Roosevelt Way NE, Seattle<br />
<br />
Show runs Nov 20 – Dec 16 <br />
<br />
<br />
<br />
About High Anxiety: I have a love/fear relationship with flying, and am continuously fascinated by the design of commercial jet aircraft, the airline industry, air security, pilots, flight attendants, and luggage. Most of my work in the past few years has pondered the act of climbing aboard what amounts to a time/space machine pipe bomb hurtling seven miles above the Earth's surface, while pretending to be on a big bus. I think about being inside the plane, and all the strange things that could happen there.<br />
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<a href="http://www.caferacerseattle.com/">http://www.caferacerseattle.com/</a> <br />
<br />
Update: photos from the opening<br />
<a href="http://www.flickr.com/photos/janetgalore/sets/72157609623366765/">http://www.flickr.com/photos/janetgalore/sets/72157609623366765/</a><br />
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]]></description>
 <category>janet's items</category>
<comments>http://galorebot.com/blog/index.php?itemid=170</comments>
 <pubDate>Fri, 14 Nov 2008 17:48:11 -0800</pubDate>
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